80 Washington Square East, NYU

VAA Curatorial Practice

Performing For You, For Me, For You

January 6 – January 27, 2024

Project Space

Participating Artists:

simone madison hunter
Emily Mogami
Mahira Naznin

The Visual Arts Administration program presents the exhibition Performing For You, For Me, For You. Curated by the Curatorial Practice course, the exhibition will be accompanied by public programming that invites the audience to interact with and learn about the participating artists, as well as an exhibition essay.

Presenting artworks by three NYU Steinhardt Studio Art students – simone madison hunter, Emily Mogami, and Mahira Naznin – the exhibition delves into the struggle between how today’s youth perceive themselves and how they present themselves to the world, an outgrowth of complex interplay between self-perception and external gaze. Subverting race and gender expectations take center stage offering a profound analysis of societal norms and the artists' determined efforts to challenge and transcend them.

In the 21st century, new screen-based technologies and corporate-owned social media make us all be observed, constantly look into mirrors, and create our avatars. At the same time, the pressures of living in global, increasingly multi-ethnic and xenophobic societies, compel us to brand ourselves by our gender, our sexuality, our heritage, and countless other descriptors. The societal gaze puts us in a state of perpetual performance and self-reflection, putting our ever-changing selves at risk of being solidified and fixed into a passive state, defined and constrained by our gender and ethnic identities.

Each artist featured in this exhibition provides a poignant lens through which we are asked to question our perceptions of identity and subvert the societal gaze that seeks to define us. Crucially, in the same vein as Jean-Paul Sartre, they seem to suggest that the very act of being defined has a potential of propelling us beyond that definition. In this paradox, there is both captivity and freedom. Today’s youth struggle to remain authentic and reconcile with our identities, in the very act of rebelling against those labels, we transcend them.


Performing For You, For Me, For You was conceptualized and curated jointly by Curatorial Practice course of the Visual Arts Administration MA under the supervision of instructor Monika Fabijanska. Essay: Elif Usuloğlu, Phoebe Wang; Public Programs: Cindy Hou, Eli King; Logistics: Davina Bisaria, Shuying Fang; PR and Marketing: Tatiana Tamargo Arizmendi, Xinyuan Qiu. 

The exhibition is curated, produced, and managed by NYU Steinhardt Visual Arts Administration MA students enrolled in the Curatorial Practice course, which provides hands-on experience in the development, curation, installation, and operation of exhibitions, programs, and events. 

Installation view of the entire exhibition room include two walls, four window panes that look out onto the street, a sculpture in the center of the room, a video monitor, and a photography print.
Installation image of the exhibition featuring two walls and a sculpture in the foreground with two works on the wall behind it in the background.
Installation view of one wall in the exhibition featuring the exhibition title “Performing For You, For Me, For You” and exhibition description, and a photography print of what appears to be an outdoor scene of a human figure wearing a rectangular box as a hat, standing on grass. Blue sky covers the background, with a bridge in the background.
Close-up view of a photographic print on the wall, which appears to be an outdoor scene of a human figure wearing a rectangular box as a hat, standing on grass, Blue sky covers the background, with a bridge in the background.
Installation view of one wall in the exhibition featuring a video monitor installed on the wall. The still on the screen from the image consists of a distorted face of a women, with also distorted color stripes in the background.
Installation view of one wall in the exhibition featuring a video monitor installed on the wall. The still on the screen from the image consists of a distorted face of a women covered by a face of another girl, with distorted color stripes in the background.
Installation view of one wall in the exhibition featuring a video monitor installed on the wall. The still on the screen from the image consists of a face of a women that appears to be a negative image, with a purple color filled background.
Installation view of the exhibition featuring a sculpture in the middle of the floor. It appears to be a dark brown lounger chair covered by a large black piece of textile with beads and the text “MY AUNT IS AUNT SARAH”.
Close-up view of the sculpture in the exhibition. It appears to be a dark brown lounger chair covered by a large black piece of textile with beads and the text “time to heal our women”, “be real to our women”, and “MY AUNT IS AUNT SARAH”.
Installation view of the sculpture in the exhibition in the middle of the floor. It appears to be a dark brown lounger chair covered by a large black piece of textile with beads and the text “be real to our women”, and “MY AUNT IS AUNT SARAH”.
Installation view of the exhibition featuring two walls, a sculpture in the foreground that appears to be a dark brown lounger chair covered by a large black piece of textile with beads and text, and a photographic print of what appears to be an outdoor scene of a human figure wearing a rectangular box as a hat, standing on grass, Blue sky covers the background, with a bridge in the background.
Photos by Carter Seddon.
Public programs:

Tuesday, January 23, 5-7pm
Exhibition walkthrough and artists panel discussion

Friday, January 26, 5-7pm
Closing reception, exhibition walkthrough, and performance by Emily Mogami